• Reading between the lines

    The Library

    This kind of meeting feels like an accident until you look back and realize the universe had been quietly arranging it for years.

    Meera had her system. Third chair from the left, second table from the window — close enough to feel the afternoon light on her page, far enough that no one could read over her shoulder. She had been coming to this library every Tuesday for two years, and in two years, nobody had ever sat next to her.

    Then one Tuesday in September, a boy arrived late. He stood at the entrance for a moment. With slightly damp hair and a canvas bag slung over his shoulder, he scanned the room . His eyes moved across the rows of occupied chairs — and then stopped. Not at an empty chair. At her.

    He sat in the second chair from the left. One away.

    She pretended not to notice. However, she ended up reading the same sentence six times.

    He, on the other hand pulled out a battered copy of something, , set a small cup of tea on the table and opened to a dog-eared page without looking up. As if he had simply come home.

    They did not speak. They did not introduce themselves.  But it felt different. It was as if a someone has moved the furniture only slightly, just enough that you keep catching it from the corner of your eye.

    Every time he set his tea down, the handle faced her. He never once thought about why.

    The Rains

    He came back the next Tuesday. And the one after that.  She began to time her own arrival a little earlier — just to make sure she was there first. She told herself it was about the chair.

    By October, they had a rhythm. A rhythm where two people walking the same path every day will eventually fall into step without meaning to. He knew she liked silence. She knew he underlined things in pencil. He also exhaled quietly when he read something that moved him. She had started listening for it.

    The rain came on a Thursday when she wasn’t expecting it. She had no umbrella. She had her book pressed to her chest . Her scarf was pulled up to her chin. She felt a quiet loneliness of being caught in bad weather alone.

    She didn’t hear him come up beside her. He had tilted his umbrella to the left, toward her, entirely. His shoulder was already getting wet. He didn’t seem to mind. He simply held it over her and looked out at the rain as if they had always done this, as if this were the most natural thing in the world. She didn’t say thank you. She didn’t need to. She simply began to walk — and he walked with her, as if they had always been going to the same place.

    They walked six blocks in the rain without saying a word. He walked her to a corner and stopped. She turned to look at him. His hair was wet and he was smiling, just slightly, as if something had quietly gone right.

    She found out later, from a mutual friend, that he lived in the opposite direction entirely. He had walked her home first and said nothing about it.

    The Book

    After the rain, something changed. The air in the library felt different on Tuesdays. Warmer, maybe. Charged in a way she couldn’t explain to anyone without sounding like she’d imagined it.

    She started noticing small things. The way he always had a second cup of tea but never bought her one — not because he didn’t think of her, she suspected, but because he wasn’t sure he was allowed to yet. The way he sometimes glanced up from his book and found her already looking, and neither of them looked away quite fast enough. 

    She read the same paragraph four times one November afternoon. She gave up pretending she was reading at all.

    When she finally stood to leave — later than usual, her coat already on, her bag already over her shoulder — she found a folded square of paper tucked inside the back cover of her book. She hadn’t seen him put it there. She opened it at the door, half-expecting a note.

    It wasn’t a note. There were no words, no name. Just a single pressed maple leaf — small, still faintly green at the edges, its stem curled like a question mark. It had been pressed carefully, the kind of careful that takes time, that means someone held it and thought about what to do with it and decided on this.

    She looked up. He was watching her from across the room, very still, the way you are when you’ve done something irreversible and you’re waiting to find out how it lands.

    She held his gaze. Then, slowly, deliberately, she opened her book and pressed the leaf between two pages — never looking away from him — and closed it, and tucked it under her arm.

    He exhaled. Just quietly. Like a man who had been holding his breath since September.

    He had picked it up weeks ago, on a morning walk, not knowing why he kept it. Only knowing, somehow, that it belonged to her.

    The Last Tuesday

    The semester was ending. She knew it, and she suspected he knew it too, which was perhaps why the last Tuesday felt heavier than the others .

    She arrived to find him already in her chair. His eyes were full of mischief and something else she didn’t have a word for yet.

    He moved one seat over. She sat down.

    For two hours they read side by side.  the silence between them was not the silence of strangers but the silence of people who have already said everything that matters. She could feel the warmth of his shoulder an inch from hers. She stopped pretending she couldn’t.

    The lights flickered at closing time — the librarian’s gentle signal that the world outside was still going. She closed her book. He closed his a moment later, as if he had been waiting for her to go first.

    She looked at him.

    He was already looking at her. He smiled . She smiled back. It was, she would think later, the most honest thing she had ever said to anyone.

    On the way out, she held the door. Her fingers brushed his sleeve as he passed through. She had planned neither thing. She meant both.


    Here is what nobody tells you about falling in love quietly: it doesn’t feel like falling at all. It feels like remembering. Like you’ve known this person in some other life, or some other chapter, and bumping into them here — in this library, on these Tuesdays — is simply the universe being tidy about it.

    Meera and Arjun never had a grand declaration. They never needed one. Love, when it is real, does not wait for the perfect sentence. It arrives in the choice to sit one seat closer than you have to, in the smile you can’t hold back, in the door held open and the sleeve brushed lightly and the long walk home in the wrong direction.

    It arrives in everything you do without thinking — which is the truest way to do anything at all.


    Continue reading →: Reading between the lines
  • The Hum Was the Apology

    “Patience and understanding are the weapons we use to fight for love.”

    It all started with a text message which had a wink at the end. The text was not from him. It was from me. The text was like, “Itkya lavkar surrender?” This text was sent with so much confidence that I felt he will bow down easily. It was sent as a joke and as a subtle way to tease him. But it seemed that he took the words pretty seriously and decided to test me.

    He went missing in action completely. No updates and nothing. The kind of silence that isn’t dramatic. However, it felt like a closed door with no note underneath it. No explanation. No read receipts to obsess over. Just quiet.

    Now, I am a person who enjoys her peace and silence a lot. But that silence and peace should be somewhat predictable. This was a different ball altogether. And I was sitting over the text and my pride thinking — had I walked into this one myself? As I sat wondering what to do, I told myself, “I can handle this. I am not going to let this break me.”

    So, what do you think I did? Did I cry and obsess or did I come up with solutions to beat the situation? Read on to find out more. Maybe this can help you deal with it if such a situation emerges in your life.

    I thought about what a reasonable person would do if presented with such a situation.

    I started my mornings with drawing of the rangolis every alternate day. The only respite I had and I knew it was kind of safe was the waft of an aroma that resembled sandalwood coming through his house. That smell kept me grounded and helped me get a good start. I must thank his mother for doing the same. This is because it kind of soothed my nerves as I moved forward with my day. I used to take in the smell and proceed to draw my rangoli with chalk on the wooden board. I knew this will help me to deal with the uncertainty that the situation threw at me. Then I watered both the houses’ plants as I knew one thing — acts of kindness release dopamine. I also made sure my body got some kind of movement. Whether it was in the form of a walk around the house or by undertaking a 30 minute abs workout, whatever movement it had to take I would do to feel good about myself. After that, I meditated as that was the only method by which I could calm my monkey mind. Then I went ahead with my day by learning something or the other like solving the crossword everyday or viewing the numbers on the screen. I knew I had to be super patient and I could not let myself surrender to stupid thoughts.

    I cooked. Not because I was hungry — because my hands needed something to do that wasn’t picking up my phone. I rearranged my utensils. All of them. By size, then by frequency of use, then by some system I invented and immediately forgot. I cleaned my space until it gleamed. Then I cleaned his space too — because it needed it, and because I was there, and because what else do you do when the person you want to talk to isn’t talking?

    After the work used to be done, I used to listen to music as well. This is because listening to music helps you release serotonin and dopamine. And those who are not well-versed, these are two neuro-transmitters which help you keep in a happy state.

    I felt bad. I want to say that clearly — I am not made of stone. I felt the pull to just text him. To say something small and light that would break the silence without looking like I broke. To surrender, properly this time, without the wink.

    But I didn’t. Not because I was angry. But because somewhere in between the rangoli and the work and his plants, I realized I was doing something important. I was staying whole. I was proving — to myself more than to him — that his silence didn’t have the power to hollow me out.

    I had sent a wink. And I was going to mean it.

    On day six, I heard the door.

    And then I heard him — humming. Just walking in, easy, like a man who’d had a perfectly pleasant week. No explanation leading the way. No sorry waiting at the door. Just him, and a hum, and the audacity of someone completely at peace.

    I wanted to pull his ears. I want to be honest about that. After six days of rangoli, playing with his doormat, clearing the common space and watering his plants while he was nowhere, my first instinct was very much to grab his ears like an exasperated grandmother and say DO YOU KNOW WHAT YOU PUT ME THROUGH.

    But then I paused.

    Because the hum wasn’t nothing. A Capricorn man who comes home humming isn’t a man who’s cold or distant or done. That hum was soft. It was light. It was the sound of someone who felt safe enough to just be — no armour, no explanation needed, just walking into a space that still had rangoli on the floor and watered plants by the window.

    That was his surrender. Just not in a language I expected.

    He couldn’t text. He couldn’t say it. But he came home humming — and somewhere in those six days I had stayed present enough, whole enough, sane enough to understand what that meant.

    I sent the wink on day one. I thought I was joking.

    Six days later, standing there watching him hum his way through the door, I realized I had meant it more than I knew.

    And maybe in the end, I did get my fruit of patience — a soft hum as he walked towards his house.

    Some people say I love you with words. Some people come home humming. The trick is staying whole long enough to hear the difference.


    P.S. I still wanted to pull his ears though. I’m not a saint.


    This story is based on a true incident that has been given a fictional twist.


    Did you enjoy this short story? If yes, let me know in the comments section. Also, let me know if you have faced such a situation in your life — if yes, then how did you deal with it? Maybe that will help me deal in a better manner if such a situation emerges again in my life. After all, peace of mind is the best gift anyone can ask for.


    Continue reading →: The Hum Was the Apology
  • Starring: Adivi Sesh, Saiee Manjrekar, Sobhita Dhulipala, Revathi, Prakash Raj, Murali Sharma

    Directed by: Sashi Kiran Tikka

    Genre: Biographical/ Action

    ” I think a hero is any person really intent on making this a better place for all people.”

    -Maya Angelou

    There are films that entertain. There are films that inspire. And then there are films that make you sit in silence long after the credits roll. It fills your throat with a lump in the throat and a sense of gratitude for the same. After all, guarding your nation with your life is not an easy task.

    Not every hero wears a cape. Some wear a uniform. But amongst those there are very few that have a unshakeable sense of purpose. A purpose so unshakeable that no bullet, no terrorist, and no amount of darkness can ever extinguish.A man whose name you may have heard in passing. His full story-the love, the laughter, the losses, the last breath — very few truly know.That is exactly what this film set out to change.This week’s pick revolves around the story of one such hero. A hero who laid down his life during a terrorist attack that rattled the financial capital of the country. Who was he and why is his story a great one ? Read on to find out .

    Storyline: Major narrates the life story of Sandeep Unnikrishnan. From an early age, Sandeep was fascinated by the military. This spark was lit by when his father took him to a Navy ceremony as a young boy. He went on to join the Indian Army, rose through the ranks, and eventually became a trainer for the elite 51 Special Action Group of the National Security Guard (NSG).

    But here’s the thing about Sandeep’s journey that the film captures so honestly — it wasn’t a straight line. There were setbacks. There were moments of self-doubt. There were doors that shut before they opened. But Sandeep had this rare quality about him — he didn’t quit. Not because he was fearless, but because his love for what he did was simply bigger than any obstacle in his way.

    And that is the heart of this film. This movie tries to celebrate the man he was- a son, a husband, and above all — a human being who chose duty over everything.

    Scrutiny:What makes Major stand apart from the usual wave of patriotic biopics is its choice of focus. Rather than leading with a chest-thumping nationalist tone, the film asks a quieter, more profound question: Who was Sandeep Unnikrishnan, the person?

    If there is one reason to watch Major, it is Adivi Sesh. The actor, who also wrote the screenplay, doesn’t just perform — he transforms.

    The supporting cast deserves equal praise. Prakash Raj as K. Unnikrishnan is quietly devastating — a father who holds himself together while his heart breaks. Revathi as Dhanalakshmi brings a gentle warmth to every scene she’s in. Saiee Manjrekar as Isha — the woman who loved Sandeep deeply, perhaps without ever fully understanding the world he lived in — is both convincing and emotionally resonant.

    Director Sashi Kiran Tikka too demonstrates remarkable restraint throughout the film. He keeps the film grounded in character. The romance sequences in the first half feel genuinely youthful and sweet, while the tension-filled sequences inside the Taj in the second half are masterfully staged.

    The music by Sricharan Pakala elevates the film significantly. The background score during the action sequences is pulse-pounding, while the quieter emotional themes underscore the personal tragedy of the story with great sensitivity. Shot across 75+ locations in 120 days on a budget of ₹32 crores, the film punches well above its weight in terms of production value.

    Sentiment: In an era where biopics are churned out on an assembly line, often more interested in spectacle than substance, Major is a reminder of what the genre can be at its best. It humanises a hero at a time when we tend to either over-mythologise or forget those who sacrifice everything for us.

    Films like Major remind us that heroism is not one dramatic act — it is a lifetime of quiet choices.

    The film also forces us to reflect on the families left behind. The parents who watched the news and only then learned their son had run into a burning building. The wife who found out he never signed the divorce papers. These are the kinds of truths that no medal can ever fully honour.

    Verdict: Major is an emotionally rich, skillfully crafted biopic that succeeds where many others fail.

    It is imperfect in small ways, as most ambitious films are, but its heart is undeniably in the right place. This is a film that India needed, and one that Sandeep Unnikrishnan’s legacy richly deserves.

    Rating: ****

    Quote-Unquote:Sandeep should be remembered not for how he died, but for how he lived.” (Sandeep’s father while addressing a commemoration)

    Que : Name the bus stand where Isha meets Sandeep.

    a. Hampi

    b. Udupi

    c. Gokarna

    d. Kalasipalya

    Share This Story — Because Some Heroes Deserve to Never Be Forgotten

    If this post moved you, if it reminded you of a story you want more people to know, please share it. Share it with your friends, your family, your colleagues — anyone who deserves to know the name Major Sandeep Unnikrishnan.

    Use the buttons below or simply copy the link and send it to someone today. Because the best way to honour a hero is to make sure the world never stops talking about them.


    Did you watch Major? What scene hit you the hardest? Drop your thoughts in the comments below — I would love to hear from you. And if you have not then do give it a watch and then share what part of the movie appealed to you in the comments section.

    Continue reading →: Don’t come up I will handle them

I’m Roshani

Welcome to The Expression Hub! I’m Roshani, who loves to express herself through the medium of writing. This blog is my little corner of the internet where I dive deep into the world of movies, books, and web series—reviewing, analyzing, and sometimes just ranting about the stories that make us laugh, cry, and question everything.

Beyond reviews, you’ll also find my personal musings—random thoughts, life reflections, and the occasional deep dive into the things that inspire me. Think of this as a space where art meets emotion, and where honest opinions matter more than star ratings.

Join me as we explore incredible stories together, one post at a time. Have a recommendation? Let’s talk—I’m always up for discovering something new!

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